Thanks to the affable and prodigiously talented Mark Simmons for subbing for me this Tuesday.
Your assignment is to read the rest of the text and to follow the instructions set forth here.
Don't forget that everyone in the department would love to see your B+ or better work in the Spring show (entry forms now available in the first floor hallway) and likewise remember the Comic Book Club meetings at 6:30 pm Wednesdays on the first floor! See you soon--I've got a big freelance job this week.
++++++
Homework 9
Read the rest of the text and...
Clothe the fighting figures from last week. You may use tracing paper to draw over last week's drawing, then photocopy the finished result, or better yet composite in Photoshop. This drawing should be roughly 10" x 10", neat, with strong simple contour lines.
Visualize where the compression (bunching/crushing) and extension (stretching) of fabric will take place due to a body position/movement. Look for compressions on the reverse side of extensions and folds that follow the direction of movement.
Compressions at elbows, hips, knees etc. should wrap around the form of the joint, not appear to run straight.
Imagine the quantity of fabric that will bunch in a certain situation remembering the tightness and weight of the material. (Thick material has heavier, larger and softer folds than thin. Supple fabric such as satin hangs heavier, more vertically.)
Use the hems of sleeves, pants, necklines, belts etc. to act as ellipses. These will help describe the angle of the body-parts they enclose. (narrow ellipses are seen more from the side than open ones)
Loose fabric (scarves, skirts, shawls etc.) may be used to show movement: flying out behind the moving object. The weight and quantity of the fabric, combined with the force of the movement, will decide the extent of such a incident.
Each character should be wearing a regularly patterned shirt, skirt, dress or pants: stripes, checks, polka dots etc. Make sure this pattern wraps convincingly around the form of the body, foreshortening as the surface turns away from our eye.
Timeless material on hands, feet, dress shoes here.
Plus more relevant stuff below.
JH
Your assignment is to read the rest of the text and to follow the instructions set forth here.
Don't forget that everyone in the department would love to see your B+ or better work in the Spring show (entry forms now available in the first floor hallway) and likewise remember the Comic Book Club meetings at 6:30 pm Wednesdays on the first floor! See you soon--I've got a big freelance job this week.
++++++
Homework 9
Read the rest of the text and...
Clothe the fighting figures from last week. You may use tracing paper to draw over last week's drawing, then photocopy the finished result, or better yet composite in Photoshop. This drawing should be roughly 10" x 10", neat, with strong simple contour lines.
Visualize where the compression (bunching/crushing) and extension (stretching) of fabric will take place due to a body position/movement. Look for compressions on the reverse side of extensions and folds that follow the direction of movement.
Compressions at elbows, hips, knees etc. should wrap around the form of the joint, not appear to run straight.
Imagine the quantity of fabric that will bunch in a certain situation remembering the tightness and weight of the material. (Thick material has heavier, larger and softer folds than thin. Supple fabric such as satin hangs heavier, more vertically.)
Use the hems of sleeves, pants, necklines, belts etc. to act as ellipses. These will help describe the angle of the body-parts they enclose. (narrow ellipses are seen more from the side than open ones)
Loose fabric (scarves, skirts, shawls etc.) may be used to show movement: flying out behind the moving object. The weight and quantity of the fabric, combined with the force of the movement, will decide the extent of such a incident.
Each character should be wearing a regularly patterned shirt, skirt, dress or pants: stripes, checks, polka dots etc. Make sure this pattern wraps convincingly around the form of the body, foreshortening as the surface turns away from our eye.
Timeless material on hands, feet, dress shoes here.
Plus more relevant stuff below.
JH
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